The Charleston Music Hall will welcome back Blues Traveler on Sunday, July 26th at 8 pm. Tickets go on sale Friday, March 13th at 10 am.
Thirty years ago, the four original members of Blues Traveler, who had known each other since their early teens – John Popper, Chandler Kinchla, the late Bobby Sheehan and Brendan Hill – gathered in the basement of their drummer’s parents’ Princeton, NJ, home and the seeds were planted for a band who has released a total of 13 studio albums, four of which have gone gold, three platinum, and one six-times platinum.
Over the course of its illustrious career, Blues Traveler has sold more than 10 million combined units worldwide, played over 2,000 live shows in front of more than 30 million people, and, in “Run-Around,” had the longest-charting radio single in Billboard history, which earned them a Grammy for Best Rock Performance by a Duo or Group with Vocals.
“We started this whole adventure as a team,” Brendan Hill said. “We’ve taken every step of this as a group together, from the basement to moving to New York, getting signed, hiring a manager, to achieving all our goals.”
“I’m a firm believer that rock and roll keeps you young,” Chan Kinchla said. “Because I don’t feel any different than I did when we started, even though I’ve got a wife, two kids, and all kind of life in between. We still go back to that mentality we had as kids, smoking pot and learning to jam. We had our first epiphanies about music together. This is a real family affair.”
“The way the songs have held up moves me,” admits legendary frontman Popper, who has gotten down to a svelte 280 from a high of 436 after a gastric bypass 10 years ago, which he admits saved his life. “We’ve really got nothing but love from our audience. If something has quality, it’s constantly reconsidered through the ages. And that’s what we’re doing this for… posterity. We’ve never been 25 before, so having this kind of retrospective, as songwriters, it’s an opportunity for long forgotten songs get their day in court.”
From the suburbs of New Jersey, Blues Traveler moved to New York in the late ’80s, where they became part of a jam-band scene that packed clubs like Nightingale’s, McGoverns, and Kenny’s Castaways, where they would share the bill with Spin Doctors and Phish. Represented early on by Bill Graham and son David, Blues Traveler’s live reputation led to a deal with A&M Records, for whom they released their self-titled debut, which produced songs like the hit “But Anyway,” “Gina” and “100 Years,” eventually going gold simultaneously with the album Four.
The following year came Travelers & Thieves, also now gold, with songs like “What’s For Breakfast.” The subsequent gold release Save His Soul followed in 1993, with songs like “N.Y. Prophesie,” whose lyrics were actually co-written by John’s Hungarian father, Robert. The recording, and resulting tour, was marked by Popper having to sing from a wheelchair, the result of a motorcycle accident that almost took his life and destroyed the band, which led to a deeper investment from A&M to help support the band during a mettle-testing period in their career.
The band’s Four, released in 1994, was a watershed moment for the group, eventually selling more than six million albums on the strength of the singles “Run-Around” and “Hook.”
“The fact we had that success in the middle of our career, rather than early on, was beneficial because it opened doors to a whole new audience that we continue to court today,” says Hill.
The band’s next album, the now-platinum Straight on till Morning, released in 1997, produced the memorable “Carolina Blues,” a longtime staple of Blues Traveler’s live show. After that, tragedy struck when bassist Bobby Sheehan was found dead in New Orleans on August 20, 1999, at the age of 31. It was a wake-up call for Popper, who vowed to lose his extra weight after help from friends like Howard Stern and Roseanne Barr. Deciding to soldier on, the group brought in Chan’s brother Tad to replace Sheehan on bass and, at the same time, enlisted keyboardist Ben Wilson.
“I kind of vicariously grew up around the band,” says Tad, four years younger than his older brother. “I saw all the trials and tribulations moving forward, and then lightning striking.”
The transition took place in 2001 on the aptly named studio album Bridge, the band’s last for major label group Interscope Geffen A&M, on songs like “Back in the Day” and “Girl Inside My Head.”
Currently putting the finishing touches on their tenth studio album — the first to feature outside songwriters in addition to the band members’ contributions — the group is taking the opportunity of their milestone to not just look behind, but ahead.
“We’re brothers,” concludes Chan. “We’re not done. We’ve got a few more swings left, some more damage to do.”
Click here for ticket information.
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